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  So what was Van Gogh’s London? It was the Victoria Embankment, just a few years old when it impressed him enough to draw there; a humble room at 87 Hackford Road in Brixton, where he may have fallen in love with his landlady’s daughter; it was Austin Friars church before that became a casualty of the war; it was the Royal Academy’s Summer Exhibition; Dulwich Picture Gallery and Hampton Court Palace where he admired Mantagna’s ‘Triumph of Caesar’. Above all, Van Gogh pilgrims here should be gluttons for punishment on their feet; he was a formidable walker, and explicitly said that he enjoyed suffering hours of it, even walking from London to Brighton. In England he noted nature perhaps more than culture, the species of trees he saw and the flowers he planted (“sweet peas, poppies and reseda”). London, he felt, was not good for him.

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 So what was Van Gogh’s London? It was the Victoria Embankment, just a few years old when it impressed him enough to draw there; a humble room at 87 Hackford Road in Brixton, where he may have fallen in love with his landlady’s daughter; it was Austin Friars church before that became a casualty of the war; it was the Royal Academy’s Summer Exhibition; Dulwich Picture Gallery and Hampton Court Palace where he admired Mantagna’s ‘Triumph of Caesar’. Above all, Van Gogh pilgrims here should be gluttons for punishment on their feet; he was a formidable walker, and explicitly said that he enjoyed suffering hours of it, even walking from London to Brighton. In England he noted nature perhaps more than culture, the species of trees he saw and the flowers he planted (“sweet peas, poppies and reseda”). London, he felt, was not good for him.