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  Evans and Christenberry’s paths eventually crossed when Evans was a senior editor on Fortune Magazine and Christenberry a lowly file clerk for Time Life. A lifetime friendship developed between them and he finally shared his ‘snaps’ with Evans, made on his beloved Brownie camera and processed in the local drugstore. “Colour photography’s vulgar but there’s something about this lens, (of the Brownie) the lack of sharpness, that makes the colour just right”, Evans told Christenberry. In the 1960s there was no respect for colour photography and it was seen only as a gimmick; all serious artists worked in black and white. Encouraged by Evans, Christenberry began to take his snapshots seriously. It was a turning point for him. He was later inspired by Lee Friedlander to try a 10x8 large format camera but his photographs have remained a way to express his feelings.
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